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“Those of you who have home recording studios and must put at least some money away for food should tear your eyes away from the latest ads for new gear and stop drooling all over your new catalogs for a minute and think about this: just because a piece of gear is out of fashion doesn’t mean it’s lost its raison d’ętre.”- Jeff Baxter

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Videos

Bass Guitar Part 4
Blending and time-aligning mic combinations. DI signals, reamping with a vintage 1969 Ampeg B15 Portaflex amp.
By Michael Schulze and Lorenz Rychner
Presents different tonal combinations from blending mics: Audix D6, Sennheiser e604, Electro-Voice RE320, with time alignment as shown in Part 3. Also introduced into the mix: Signals from DI boxes. Demonstrates reamping techniques, with a vintage 1969 Ampeg B15 Portaflex amp and a Radial ProRMP Studio Reamper box.
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Bass Guitar Part 4
Blending and time-aligning mic combinations. DI signals, reamping with a vintage 1969 Ampeg B15 Portaflex amp.
Michael Schulze and Lorenz Rychner
Presents different tonal combinations from blending mics: Audix D6, Sennheiser e604, Electro-Voice RE320, with time alignment as shown in Part 3. Also introduced into the mix: Signals from DI boxes. Demonstrates reamping techniques, with a vintage 1969 Ampeg B15 Portaflex amp and a Radial ProRMP Studio Reamper box.
Bass Guitar Part 1
Comparing the sound of each of three mics aimed at a cab from various distances and angles.
Michael Schulze and Lorenz Rychner
Begins with the use of a single mic on the bass cabinet, exploring miking distance, mic location, and proximity effect. Tonal characteristics are demonstrated for the following mics: Sennheiser MD421, Shure Beta 52A, Shure SM57LC.
Bass Guitar Part 2
Comparing the sound of each of three different mics aimed at a cab, with demo of EV mics with Variable-D.
Michael Schulze and Lorenz Rychner
These three mics are used on the bass cabinet: Audix D6, Electro-Voice RE20, Electro-Voice RE320. Demonstration of the effect of Electro-Voice's Variable-D that negates proximity effect.
Bass Guitar Part 3
DI boxes (active and passive), time-shifting tracks for time-alignment of blended tracks.
Michael Schulze and Lorenz Rychner
Demonstrates the use of active and passive DI (Direct-Input) boxes, dbx DB12 and Radial ProDI, and explains time-alignment of tracks to regain tonal quality when signals are mixed together.




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