cardioid, a Sennheiser MD 421 dynamic
cardioid, and a Royer R101 dynamic ribbon mic with a figure-8 pattern, we're searching for the best sound to be had from an electric guitar through a Fender amp, exploring capture distances and mic a..." width="200" height="120" border="0" />
Comparing the sound of each of three mics aimed at an amp from various distances and angles.
By Michael Schulze and Lorenz Rychner
cardioid, two Sennheiser MD 421 dynamic cardioids (one in front, and at the rear), a Royer R101 dynamic ribbon mic with a figure-8 pattern, a Marshall MXL2001
cardioid condenser. Explains phase relationship and time alignment." width="200" height="120" border="0" />
Comparing the sound of each of five mics aimed at an amp from various distances and angles. Explains phase relationship and time-alignment.
By Michael Schulze and Lorenz Rychner
Combining mics for different blends from several mics, time-aligned. Demo of polarity-inverted rear mic, and panning suggestions.
By Michael Schulze and Lorenz Rychner
Reamping for new tones from a vintage 1959 Gibson Explorer amp. Adding an ambient figure-eight room mic, and an impedance-adjusting Tonebone Dragster.
By Michael Schulze and Lorenz Rychner