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“With any acoustic instrument that you record, you have some kind of ambience happening. Any electric instrument, when it’s direct, doesn’t have any ambience at all. So for me the challenge is not to try to simulate the acoustic sound, but to simulate some of the aspects of an acoustic sound.”- bassist Michael Manring

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September 2008
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September 2008

Price: $5.99
Description:

The human voice is the most recognizable, and many would argue the most critical, source in all of music. If you get the vocal wrong, everything else could be perfect and it wouldn’t matter. Scary stuff... but not once you’ve absorbed an entire issue full of wisdom from studio owners, educators, engineers, and singer/songwriters on maximizing your vocal tracks. We offer articles on everything from getting a vocal to sound “in your face” and tricks for effects and mixing that make voices stand out, to how loudness affects eq and what recording vocals in surround sounds like.

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