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ďMost of the time, itís not so much the equipment as how you use it. Iíve heard people with really cheap studios do great recordings, and Iíve heard people that have worked in very good facilities come out with awful sounding recordings. So itís how itís used, and the quality of the engineer.Ē- Frank Gambale

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July 2008
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July 2008

Price: $5.99
Description:

DRUMS IN YOUR STUDIO

The world of drums and percussion is a wide, varied, and fascinating one. We bring you content on drum recording and mixing almost every month, but this Julyís issue is a special one. We wander at will through the mysterious world of drums and percussion, and offer articles on working with a nervous drummer fresh from the road and in your studio, creating the best snare sound in your mix, combining live playing with loops to best effect, and even a quick look at miking that mysterious box of bang, the cajon.

We also offer 17 reviews in this issue, ranging from top-quality monitors by Focal to a tiny audio interface from CEntrance that puts high-end headphone amplification in your pocket.

All this plus our monthly columns, Song Production in Pro Tools with Mark Hornsby, Readersí Tapes with Marty Peters, and much more. Whether you work with live drums, percussion, or loops, the July Recording will give you the tools you need to do it right!

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Garritan Abby Road Studios - CFX Concert Grand Virtual Piano



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