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ďMost of the time, itís not so much the equipment as how you use it. Iíve heard people with really cheap studios do great recordings, and Iíve heard people that have worked in very good facilities come out with awful sounding recordings. So itís how itís used, and the quality of the engineer.Ē- Frank Gambale

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March 2008
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March 2008

Price: $5.99
Description:

THE QUEST FOR TONE

What a magic word that isóit conjures images of fantastic guitar tracks, smooth bass, slamminí drums, and much more. When you donít have tone, you donít have a record, no matter how much you work on everything else... and in the March Recording we take a look at this elusive, yet vital, aspect of making great music. Read about where tone comes from, what does and doesnít influence it, and how you can seek and find it, no matter how simple your rig may be.
In this issue, we start our huge 2-part coverage of NAMM 2008, talk to jazz guitar great John Scofield about (what else?) his signature tone, and over a dozen unique product reviews.
Also in this issue: two articles that are bound to cause controversy... a first look at a new audio product endorsement program with some pretty impressive names behind it, and the truth about Microsoft Windows Vista and audio.
All this plus our monthly columns, Song Production in Pro Tools with Mark Hornsby, Readersí Tapes with Marty Peters, and much more. Find your tone with the March Recording!

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Garritan Abby Road Studios - CFX Concert Grand Virtual Piano



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