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“That first song on your demo is like a radio hit: you want to hook the listener in the first ten seconds, interest him/her more in the next ten seconds, and if you can really hold them through the first minute they might listen to your whole tape.”- John Simon

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August 2012 - Computer Composition, A Workflow Report
By Gary Eskow

In August 2012, Gary Eskow talked about how he uses Finale and Cubase in creating original works. Here are larger versions of the three snippets of the score created in Finale as shown in the article, and a few short excerpts from Gary's composition "4,3,2,1". (Note that the available extracts from the score do not necessarily agree with what's in the notation; the print and music were chosen separately to show score details and for maximum listening interest.) Enjoy!

 

 

 




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