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Editors' Blogs

Jack Douglas

March 31, 2016

“We were doing a song, ‘Dead Rat,’ on Yoko Ono’s Approximately Infinite Universe. I had no idea what it was going to be. The music was like, ‘da da da da da da da da da da,’ and then there’d be five seconds of silence. Then the music would start again, and there’d be another five seconds of silence. Finally, I found out what this silence was. It was the dead rat solo. Yoko brings a shoe box into the studio, and inside the shoe box is this freshly killed rat, size large. She says, ‘Okay, you know where the band stops playing? That’s where the rat takes it.’...I put the rat on a stool, and I had my assistant put a [Neumann] 87 over the rat. I ran the tracks, the music stops, the rat takes it. Nothing happens. I turn around and say to my assistant, ‘You asshole, get out there and put the mic in the right place. About four inches up and a little to the left.’ So he goes out and moves the mic over the rat a little bit. We start the music and it gets to the rat solo. I turn around and say, ‘What do you think, Yoko?’ She says, ‘It’s much better like that.’ And she’s dead serious.”—Jack Douglas, January 1991

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